Written by Steve Patterson. In this Photoshop CS6 tutorial, we'll learn how to manage and organize all of the panels that make up such a large part of Photoshop's interface. Much of the work we do in Photoshop involves the use of panels. The Layers panel, for example, is where we add, delete, select and arrange the layers in our document. It's also where we add layer masks and layer effects.
We add and work with adjustment layers using both the Adjustments and Properties panels. We can choose colors with the Color and Swatches panels, work with individual color channels using the Channels panel, go back to previous steps in our workflow with the History panel, and lots more. With so many panels to choose from and work with, it can seem a bit overwhelming, especially if you're brand new to Photoshop, which is why knowing how to manage and arrange the panels on our screen is so important.
Photoshop Layer Mask
Resetting The Essentials Workspace Before we begin our look at the panels, let's first make sure we're both seeing the same panels, and in the same locations, on our screen. To do that, we just need to make sure we're both using Photoshop's default workspace. We'll cover, but basically, a workspace is a way for Photoshop to remember which panels should be displayed on the screen and where they should be located. Photoshop ships with several built-in workspaces that we can choose from, and we can even make our own. For now, if you look in the top right corner of Photoshop's interface, you'll find the workspace selection box. It doesn't actually say Workspace anywhere, but by default it should be set to Essentials. If it's not set to Essentials, click on the box and choose the Essentials workspace from the top of the list that appears.
Three panels - Color, Adjustments and Layers - open in the main panel column. Panel Groups You've probably noticed that even though there are only three panels open, there's actually more than three panels listed in the main column. We can clearly see other tabs with different panel names listed as well. For example, the Color panel at the top has a Swatches tab to the right of it.
The Adjustments panel has a Styles tab to its right, and the Layers panel actually has two other tabs - Channels and Paths - beside it. What's up with that? Well, with so many panels to work with in Photoshop, Adobe had to come up with a way to prevent them from cluttering up the entire screen. The solution was to group, or 'nest', two or more panels together into panel groups. This way, multiple panels can fit into the space of a single panel! How does it work? Let's look again at one of the panels currently open for us - the Color panel.
We know it's the Color panel because it says 'Color' in the tab at the top. Yet beside it is another tab that says 'Swatches'. This additional tab is for another panel that's grouped in with the Color panel but is currently hiding behind it. Only one panel at a time can be active in a group, and we can tell which panel is active because the other panels have their name dimmed. To switch between panels in a group, all we need to do is click on their tabs. Here, I've started with the Color panel open in the group, but by clicking on the Swatches tab, the Swatches panel moves to the front of the group and becomes active.
The Color panel moves to the background, but I can easily switch back to the Color panel at any time by clicking on its tab. Switching between the Adjustments and Styles panels by clicking on the tabs. Changing The Order Of Panels In A Group Notice that the Adjustments panel is listed first in the group and the Styles panel is listed second. There's no particular reason why the Adjustments panel appears first, and in fact it's easy to change the order of the panels. All we need to do is click on a panel's tab at the top of the group, and then with the mouse button still held down, drag the tab left or right. Here, I've clicked on the Adjustments tab to select it, and without lifting my mouse button, I'm dragging the panel towards the right to move it to the other side of the Styles tab.
The order of the tabs has easily been changed. Moving Panels Between Groups What if, instead of simply changing the order of the tabs in a single group, I want to move a panel to a different group? Let's say, for example, that I want to move the Styles panel into the same group that holds the Color and Swatches panels. To do that, I'll simply click on the Styles tab and again with my mouse button still held down, I'll begin dragging the tab up into the new panel group until a blue highlight border appears around the new group. It's easy to move panels from one group to another in Photoshop. Creating New Panel Groups As we just saw, the Adjustments panel is now in its own panel group. We can actually make a new group from any panel.
Let's say I want to place the Color panel, which is currently nested in with the Swatches and Styles panels, into its own independent group, and that I want this new group to appear directly above the Adjustments panel. To do that, I'll click on the Color tab, then with my mouse button still held down, I'll begin dragging the tab down towards the Adjustments panel until a blue highlight bar appears between the two existing panels. It's important to note that this time, we're looking for a highlight bar, not a border.
The Color (and Swatches) panel re-appears. A Note About The Checkmark One quick but important note to point out before we continue is that when we're viewing the list of Photoshop's panels under the Window menu, the checkmark beside a panel's name not only means the panel is open but that it's also the currently active panel in its group. Other panels may also be open in the group but if they're not active (meaning they're nested in behind the active panel), they won't have a checkmark beside them. For example, if we look at my Layers panel, we see that it has two other panels - Channels and Paths - grouped in with it.
The Layers panel is currently the active panel in the group. Switching to the Channels panel. And now if we look again at my list of panels under the Window menu, we see that the Channels panel gets the checkmark. The Layers panel is still open (if I had closed it as we learned how to do earlier, it would have disappeared completely from the screen), but because it's no longer the active panel in the group, it no longer gets a checkmark.
And of course, neither does the Paths panel. You can see how this can potentially get confusing. The checkmark means a panel is open and active.
No checkmark means the panel may be closed (appearing nowhere on the screen) or it may just be nested in behind a different active panel in its group. A second panel column appears to the left of the main column. The two panels that initially appear in this second column are the History panel on top and the Properties panel below it, which may leave you asking, 'How the heck are we supposed to know what they are just by looking at these weird icons?'
Well, one way is that if you happen to have Show Tool Tips enabled in Photoshop's Preferences (it's on by default), the names of the panels will appear when you hover your mouse cursor over each icon. A better way, though, is that if you hover your mouse cursor over the left edge of the column, your cursor will turn into a double-headed direction arrow. When it appears, click on the edge and, with your mouse button held down, drag it out towards the left to resize the panel. As you drag, you'll see the actual names of the panels appearing beside the icons, which is much more helpful. Release your mouse button once you've added enough space for the names to fit. Resizing the width of the second column to display the panel names along with the icons. Expanding And Collapsing Panels A good use for this secondary column is to hold panels we'll need but won't necessarily need to have open all the time.
The icon view mode is a nice way to keep these panels quickly available to us without them taking up valuable screen space. If we click on a panel's icon (or its name), Photoshop will temporarily expand the panel to full size so we can work with it. Here, I'm expanding the History panel by clicking its name/icon. The main column after initially collapsing the panels. To collapse the panel even further into just the icon view mode, hover your mouse cursor on the dividing line between the main and second columns. When your cursor changes to the double-headed direction arrow, click on the dividing line and drag it towards the right until only the icons are visible. While having both columns appearing only as icons can free up lots of screen space, you really need to have your icons memorized to work effectively like this.
I wouldn't recommend it, but that's just me. The Properties panel is now nested in with the Adjustments and Styles panels. Hiding All The Panels On The Screen Finally, there's a couple of handy keyboard shortcuts for temporarily hiding all the panels on the screen.
Pressing the Tab key on your keyboard once will hide all the panels along the right, as well as the Tools panel on the left of the screen and the Options Bar along the top. Basically, it will hide everything except the Menu Bar. Pressing Tab a second time will bring everything back. To hide only the panels on the right, press Shift+Tab once. Press Shift+Tab a second time to bring them back.
Moving the mouse cursor to the right of the screen temporarily brings back the panels. One final note. If you've been following along making your own changes to the panels on your screen and you want to revert back to the default panel locations, simply reset your Essentials workspace using the steps covered at the very beginning of this tutorial. Where to go next. And there we have it!
That's a whirlwind tour of all the different ways to manage and organize the panels that make up much of the interface in Photoshop CS6! Atif aslam songs download free. Visit our section to learn more about Photoshop!
Adobe Photoshop is one of the best bitmap editing programs available on the market. In its latest version the Photoshop CC it comes as part of Creative Cloud, whilst the previous version Photoshop CS6 was available in Creative Suite. Adobe Photoshop software redefines digital imaging with powerful new photography tools and breakthrough capabilities for complex image selections, realistic painting, and intelligent retouching. Enjoy cross-platform 64-bit support and a wide range of workflow enhancements.
Might have kept up with all my period. Pengertian penelitian kualitatif. Kind of looking for that slower period. So one good way to delay your period is to remove spicy foods from your diet, and I know this can be hard (Hot cheetos, hot wings, it's all so tasty). Vinegar flushes out toxins and reduces.
Photoshop CC is part of Creative Cloud. That means you have access to all the latest updates and future releases the moment they're available. You can use Sync Settings and Save to Cloud to keep your settings and files organized across multiple computers. And with Behance integration, you can share your projects straight from Photoshop CC and get immediate feedback from creatives around the world. Refine your photographs Achieve superior results in fewer steps when you remove noise, add grain, create vignettes, correct lens distortions, sharpen, and create HDR images.
And enjoy better-than-ever raw file conversion Maximize Creative Impact Explore fresh design possibilities with powerful new tools. Paint naturally and realistically with on-canvas color blending and textured brush strokes. Warp or stretch graphics, text, or image elements to create unique looks. Design with precision Get exactly the look you want, more quickly than ever before. Easily select intricate image content, such as hair, for refinements, compositing, or placing in layout.
Remove an image element and see the space fill in almost magically. Adobe Photoshop works with the following file extensions: Note: You can click on any file extension link from the list below, to view its detailed information. The list of extensions used or otherwise associated with the application may not be complete, because many common file extensions on our website, such as jpg (pictures) or txt (text files), can be opened by a large number of applications, or are too general file format.
However most, if not all directly associated file extensions should be listed with its appropriate program. Although its likely, that some file extensions may be missing from the list of associated file extensions with the application, yet they can be opened, be part of, or otherwise be associated with the program. Adobe Photoshop default file extension associations The most common file formats used with the specific file extensions.
Is used for Adobe Photoshop brush. Is used for Sony Digital Camera RAW digital image. Is used for Canon digital camera RAW image format. Is used for Adobe Photoshop custom shape. Is used for Adobe Digital Negative. Is used for Microsoft Windows compressed enhanced metafile.
Is used for Encapsulated PostScript image. Is used for Graphics interchange file format. Is used for JPEG bitmap image format. Is used for JPEG bitmap image format. Is used for Portable Network Graphic. Is used for Adobe Photoshop Large Document Format.
Is used for Adobe Photoshop graphics. Is used for Aldus Tagged Image File Format (TIFF) bitmap image. Is used for Universal 3D format graphics Other file extensions or file formats developed for use with Adobe Photoshop.
Common file extensions used by Adobe Photoshop. Other file extensions associated with Adobe Photoshop.
Start creating stunning photos like this using the best Photoshop plugins available Ready to become a Photoshop power-user? Good, because the Photoshop plugins, add-ons and extensions we list in this post will supercharge the already impressive capabilities of Adobe’s preeminent software. Yes, is outstanding on its own, but there’s plenty of features users wish they had that Adobe didn’t create (or think of creating). And there’s no way they could’ve packed in every add-on, extension, or plugin at the current retail price. Lucky for you, not all of the plugins you’ll read about today cost money. That’s not to say you should only look for free plugins. Some of the premium Photoshop plugins we list are so good, you’ll want to buy them today if you’re serious about upping your Photoshop game.
But before we get into the free and premium Photoshop plugins, let’s quickly go over how to install Photoshop plugins. How to Install Photoshop Plugins Here’s a simple way to install Photoshop plugins:. Open Photoshop. Select Edit from the dropdown menu, and select Preferences Plugins. Check the 'Additional Plugins Folder' box to accept new files. Download a plugin or filter to your desktop.
Open your Program Files folder and select your Photoshop folder. Open your Plugins folder, found inside your Photoshop folder. Drag your new Photoshop plugin from your desktop into the Plugins folder. Reopen Photoshop and find your new plugin under Filters in the dropdown menu.
Now that you know how to use Photoshop plugins, let’s take a look at some of the best free and premium Photoshop plugins available today. By the way, you can find more Photoshop CC Plugins beyond the ones we list in this post on under Creative Cloud. Also, if you prefer Sketch, check out our guide to the of 2018.
Abcd movie full. Best Free Photoshop Plugin. A list of additional free Photoshop plugins As the old saying goes, “the best things in life are free.” Of course, these plugins may not be “the best things in life” (unless Photoshop IS your life), but they’re pretty good and completely free. And while this isn’t an exhaustive list, it does cover some of the top Adobe Photoshop add-ons that you can download and use immediately at no cost. Camera Raw is a Photoshop plugin that lets you edit and enhance raw files from your digital camera, along with JPEG and TIFF files. If you’re unfamiliar with a raw file, it’s simply the unprocessed picture data from your digital camera. With the Adobe Camera Raw plugin, you can sharpen raw pictures, set white balance, and adjust the contrast among many other features.
The best part is, Camera Raw uses non-destructive editing, which means it doesn’t alter the original picture file in case you want to revert back to it after you’ve finished editing. ON1 Effects is a Photoshop plugin that gives you access to 23 stackable filters which allow you to build layers of different effects. It also provides hundreds of presets, borders, and textures. You even gain access to a variety of tools that help you blue, soften, and paint your pictures with ease. If you’re looking for an all-in-one tool for adding complex effects to your photos, ON1 Effects is the tool you need. Ink is one of the best free Photoshop plugins on this list. It allows designers to create useful mockups and user interfaces which lets an inexperienced Photoshop user - like a developer - understand the design elements within a coding framework.
In other words, Ink makes it easy to communicate your design by generating full specs such as text formatting, layer styles, and dimensions. This is especially helpful if, for example, you have to hand off work to a developer on GitHub and want to ensure the developer will accurately interpret your design. Texture Anarchy is a Photoshop plugin that offers a library of different filters and textures for Photoshop. What sets it apart from similar plugins like ON1 Effects is the fact that the textures it produces are based on fractal noise, which makes it easy to create natural images like fire, smoke, or marble.
FlatIcon is a Photoshop plugin that gives you access to thousands of free vector icons that can be downloaded in multiple formats such as SVG or PNG. With FlatIcon installed, you can search through its database of icons from within Photoshop and insert icons directly into your design panel.
Best Premium Photoshop Plugins. A list of additional premium Photoshop plugins As Warren Buffett once said, “Price is what you pay. Value is what you get.” While these premium Photoshop Plugins come with a price tag, they bring with them a lot of value for artists, photographers, and casual Photoshop users alike. Instead of showing you all of the paid plugins, we picked out the ones that will make a significant impact on your output and workflow. RH Hover Color Picker is a Photoshop color plugin that isn’t ugly or cumbersome (unlike the color picker built into Photoshop) and gives you more control over the colors you pick with its set of customizable sliders. It’s aptly named the “Hover” Color Picker because it only reveals itself when you hover over its minimized version and then conceals itself once you’re done using it.
For $16, it makes picking colors easy and enjoyable. Fluid Mask 3 is a Photoshop plugin used to remove backgrounds and perform cutouts. Masking - making part of a layer invisible - is a delicate and often difficult process. Fluid Mask 3 is one of the few plugins that give you a clean and accurate mask, especially with problem areas like hair and fur. Even though Fluid Mask 3 costs $99, its ability to detect edges, blend layers, and simplify painstaking tasks makes the high price tag worth it. Noiseware is an award-winning Photoshop plugin for noise reduction. Noise is the colorful grains or discoloration found in Photographs that give it a splotchy or blurry look.
![]()
Noiseware removes graininess from images and sharpens them simultaneously, allowing you to clean up your photos quickly and professionally. Although it costs $79.95, it justifies that price with unparalleled targeted noise reduction that few other plugins come close to accomplishing. PortraitPro is a Photoshop plugin for retouching and editing portraits without a “Photoshopped” finish. It prides itself on being a software built to enhance human beauty without making faces look plastic or fake. PortraitPro accomplishes this feat by using a slider interface to sculpt and refine a subject’s features. From realistic digital makeup to sharpening eyes, mouths, and the subtle characteristics of children, PortraitPro is well worth the $79.90.
![]()
Machine Wash Deluxe is a Photoshop plugin that adds scratchy, weathering effects to your photos. The plugin comes with over 3,500 presets that let you texturize and alter photographs in thousands of ways to make them look old, vintage, or otherworldly. Really, this one is just fun to play with. For $99, you’ll have a blast making retro designs and abstract photo transformations.
Honorable Mention: CloudApp. CloudApp may not be a Photoshop plugin, but it sure acts like one isn’t technically a Photoshop add-on, plugin, or extension (yet) but it will help you get the “raw materials” you need to create great photos.
You can take, or screenshots of virtually anything, edit them in Photoshop, pass them on to your developer, and if your developer has questions, they can take a screenshot of your finished product, it, and send it back to you. You’re able to comment on those annotations and easily make the required changes and send it back.
CloudApp has both a, a, an, as well as a. This allows anyone to work visually on virtually any top web-based and desktop medium, so you and your team instantly know what was done and what needs to be done. If you want to streamline your Photoshop workflow and be able to gather the visual materials needed to get the job done, then consider signing up for - it's free.
In my role as moderator of the member forums over at the Website, I routinely help struggling users to come to grips with the powerful, yet temperamental program we all love. Some of the most common problems are the easiest to solve, but like many technical problems, the answer often lies in knowing how to ask the question. But, over on the forums, we get the questions asked almost every way you can imagine, and over the next few weeks I’ll be bringing you a series of problem-solving tips aimed at overcoming the most bothersome and common Photoshop annoyances.
If you’ve got a problem that’s stumped you, or an annoyance you’d like to see resolved, add a comment at the end of this article, and we’ll see if we can work it in! That’s what we do here at TipSquirrel! So let’s start with that all-too-common ailment: Problem: “ I want to use the Photoshop Filter XXXXX, but it’s greyed out!
Is there something wrong? Do I need to reinstall Photoshop?” The good news is, there most likely isn’t anything wrong – we just need to make a few adjustments to the file with which we’re working. In fact, the answer most likely is staring us in the face, right beside the menu: Yes indeed, we are working with a file that has 16 bits per channel, clearly displayed as “RGB/16” in the caption bar of the image.
This is the single most common reason for the filters to be greyed out. You see, a great number of filters are from an old batch of filter effects Adobe acquired many versions back, and those filters haven’t been updated to modern standards. So, while they will work with 8-bit files, they won’t work with 16-bit files.
![]()
Another related problem shows itself with the Clouds filter ( Filter Render Clouds). Normally you would expect the clouds to be rendered in the foreground and background colors, but with a 16-bit file you always get black and white: Here’s how to solve both of these problems very quickly: change the bit depth of your file from 16 bits per channel to 8 bits per channel by selecting Image Mode 8 Bits/Channel. Once you’ve made this change, all the filters become available: Problem solved, right? Well, maybe not exactly. Changing a file from 16 bits per channel to 8 bits per channel can be a hindrance, in that 8 bits per channel has fewer colors available – 256 shades of color in each of the three channels, as compared to 65,536 shades of color per channel in a 16 bit file.
You may notice a degradation if the image, especially in subtle gradients such as skies, skin and clothing. So, is there a workaround? You bet there is. There are several workarounds, in fact.
1) Make a copy of your document, and convert the copy to 8 bits per channel. Run the filter there, and copy and paste the result back into your 16 bit file. 2) Convert your critical layer or layers to a Smart Object (select the layer or multiple layers, and choose Layer Smart Objects Convert to Smart Object. Then, change the bit depth of your file by choosing Image Mode 8 Bits/Channel as we saw above.
In this case, two important things happen:. The contents of the smart object remain at 16 bits/Channel!. All the filters now work, and as a benefit, they are applied as Smart Filters (see below.). Mike has been a photographer, artist, educator, and technophile for most of his life.
Early in his career, he created technical illustrations and photographs for electronic equipment manufacturers, and taught classes in computer aided drafting and 3D modeling software. When digital cameras became widely available in the late 1990s, the move was a natural one, and has led to a happy combination of technology, software, photography and art. Mike is an Adobe Certified Expert in Photoshop and Acrobat, and is well versed in Lightroom and Photoshop Elements, as well as Illustrator and InDesign. He has also contributed his time and efforts to the excellent work being done by Operation Photo Rescue, in restoring photographs damaged by natural disasters.
As an active member of the National Association of Photoshop Professionals, he continues his quest for excellence in art, excellence in design, and excellence in education. Hi Michael, I found this site because my “Nvidia Tools” was greyed out in Filters but if you can’t help is there any chance you know where I can get support for this? Basically, when saving a file as a DDS texture in Photoshop, regardless of what pixels per inch I set using image size, the resulting saved file shows on reopening that it is set to 72 pixels per inch. In addition, instead of being 256kb as the dimensions should have determined it was an odd 341kb. I sent the file to a friend and his Photoshop showed the ppi to be correct – the size I had set and intended but he did see the kb size error. So, my Photoshop is misreporting the ppi as 72 regardless and this only happens when I save as DDS.
Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |